Microphones & Accessories

  • BUBBLEBEE INDUSTRIES THE CABLE SAVER (4 PER PACKAGE)

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    • Saves your cable from breaking at the combiner.
    • Reduces cable friction noises.
    • Adds elasticity to your microphone cable.
    • Pack of 4 pieces
    • Designed in Denmark by sound lovers, for sound lovers
    • They are made of durable black rubber that always comes back to its’ original form.

    It is suggested you mount The Cable Saver indoors and under calm conditions since it is a rather small object.
    Measurements: 2.5 cm x 0.5 cm (0.9” x 0.19”).
    Weight: 2,5g (incl. packaging)

    The Cable Saver is an original invention and design by Bubblebee Industries that dramatically reduces the cost of repairs of Lavalier microphone cables, connectors and transmitters while at the same time reducing cable friction noise to a very minimum.

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    BUBBLEBEE INDUSTRIES THE CUB

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    The Bubblebee Industries Windbubble Miniature Imitation Fur Windscreen is a professional grade, yet straight forward concept in microphone wind noise suppression. The Windbubbles are miniature windscreens that are directly aimed at wind noise suppression for lavalier microphones. They consist of a layer of imitation fur with space in between the capsule and material. They are available available in 2 different colors. This particular windscreen is designed specifically for the Sanken CUB-01 Microphone.

  • BUBBLEBEE INDUSTRIES THE INVISIBLE LAV TAPE (120 PIECES)

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    • Optimal for use under clothes
    • Sticks directly on clothes and skin
    • Tape is allergy tested
    • Works perfectly with The Piece-A-Fur
    • 120 pieces of high quality tape
    • Designed in Denmark by sound lovers, for sound lovers
  • BUBBLEBEE INDUSTRIES THE TWIN WINDBUBBLE (2 PER PACK)

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    BUBBLEBEE INDUSTRIES THE WINDBUBBLE (SINGLE)

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    • Each package contains 1 Windbubble
    • The Windbubbles are build to stay safe and secure on the Lavalier microphone, and therefore comes in four different sizes.
    • The frequency through the Windbubble is very close to the microphones natural sound.
    • The wind reduction is the best in the industry, thanks to the bubble-effect in the design
    • The short hair of the fur gives the Windbubble a rounded and organic shape.
    • The fur is less shiny to blend better with skin, clothes and other surroundings.
    • Available in six different colors make is easier to find a Windbubble for every occasion.
    • Designed in Denmark by sound lovers, for sound lovers
    • The Bubblebee Windbubbles consist of an outer shell of the finest imitation fur (we do like them animals) and an inner core of nothing.
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    BUBBLEBEE INDUSTRIES THE WINDBUBBLES UNITED

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    • Each package contains 1 black, 1 grey, 1 brown and 1 white Windbubble.
    • The Windbubbles are build to stay safe and secure on the Lavalier microphone, and therefore comes in four different sizes.
    • The frequency through the Windbubble is very close to the microphones natural sound.
    • The wind reduction is the best in the industry, thanks to the bubble-effect in the design.
    • The short hair of the fur gives the Windbubble a rounded and organic shape.
  • SCHOEPS CMC641 SET

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    This beautiful maple box contains the Schoeps CMC-6U pre-amp, MK41 Supercardioid Capsule, SG20 Stand Clamp and the B5 foam Popscreen.
    The CMC series is one of the most popular pre-amps from Schoeps. Multiple use capsules are available. The MK41 capsule offered in this box set is supercardioid. This capsule is strongly directional and less susceptible to acoustic feedback. The MK41 is not colored by reflections arriving off axis as are most shotgun type microphones in indoor settings. This makes it an effective alternative to the shotgun microphone. With the use of an active extension cable this capsule may also be extended remotely from the pre-amp for situations where space is an issue.
    All of these features make this microphone set one of the most popular and respected in the world.

  • SCHOEPS MK41 CAPSULE

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    Schoeps MK41: Mic capsule; supercardioid.

  • SCHOEPS SUPERCMIT 2U SUPER SHOTGUN MICROPHONE WITH DSP

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    The SuperCMIT can be a problem-solver wherever diffuse sources of noise (such as street noise, wind noise, room sound, or audience and passers-by) might interfere with a recording. Unwanted noise is greatly reduced in level – even at low frequencies–without altering the tone color of front-arriving direct sound. Even a shotgun with a long tube can’t do that. This makes the SuperCMIT ideal for complex film sound applications and for sports events. The Super CMIT also increases the “reach” of indoor recordings.

    Digital signal processing in the SuperCMIT recognizes sound energy arriving from various directions, and determines whether that sound has a discrete, persistent direction of arrival or not. It uses this information to suppress diffuse sound and to focus on discrete sound. This allows the “reach” of the shotgun microphone to be increased significantly, without causing the usual sound-coloring artifacts. The Super CMIT is the first microphone in the world to combine such high directivity with high sound quality.

    The SuperCMIT has three pushbuttons which control the filters and presets of the microphone. The two filters are identical to those of Schoeps’ CMIT 5 analog shotgun microphone:

    • High-frequency boost (+5 dB at 10 kHz) compensates for losses due to windscreens.
    • Steep low-cut (18 dB/oct. below 80 Hz) suppresses low-frequency wind and boom noise.

    The second output channel always carries the signal of the regular shotgun. The “Preset” button controls the directivity for the signal on the first output channel (SuperCMIT).

    Two settings are available:

    • Preset 1: moderate directivity increase (green LED); ca. 11 dB reduction in diffuse sound (5 dB greater than a Schoeps CMIT or channel 2 of the SuperCMIT)
    • Preset 2: strong directivity increase (red LED); ca. 15 dB diffuse sound reduction. This setting is reserved for special applications since sonic artifacts can occasionally be heard.

    The SuperCMIT microphone uses exclusive technology from ILLUSONIC (patent pending). In addition to the capsule behind the interference tube, it contains a second, rear-facing microphone capsule. Digital signal processing (DSP) can analyze both signals and thereby distinguish discrete versus diffuse sound energy. The two signals are then combined in a time- and frequency-dependent manner such that the directional effect for discrete sound energy is increased while the level of diffuse sound is reduced.

    At high frequencies (above 6 kHz) only the signal from the front-facing capsule is used, since the interference tube already offers optimal effectiveness in that range.
    AES42 Interface The SuperCMIT is a digital microphone. Its output signal format is AES42, Mode 1. This means that it runs on its own clock (48 kHz) and must be driven by an AES42 input with a sample rate converter (SRC). With the optional PSD 2U powering adapter, it can also be used with a conventional AES3 input having built-in SRC.

    The AES42 standard defines the interface for digital microphones. In the simplest case AES42 requires only an AES-3 interface plus 10-Volt digital phantom powering (DPP). AES42 interfaces are available in some equipment such as the RME DMC-842 8-channel interface and the Sound Devices 788T portable 8-channel recorder.
    Input device options for the SuperCMIT are described in the Connections Options pdf listed below.
    Features

    • new type of digital shotgun microphone with increased directivity, based on SCHOEPS’ extremely successful analog model CMIT 5
    • diffuse sound is suppressed to an extraordinary degree
    • completely new operating principle with two transducers
    • uses digital signal processing algorithms from ILLUSONIC (patent pending)
    • two-channel output, with SuperCMIT signal in ch. 1 and (direct, single-transducer) CMIT signal in ch. 2
    • SCHOEPS sound quality: transparent sound