Mixer & Recorders

  • Sound Devices 663

    0 out of 5

    Six-Input 633 Compact Mixer With 10-Track Recorder & Automixing

    The 633 is designed for audio professionals requiring go-anywhere portability, without compromising recording or mixing capability. The compact 633 field mixer with integrated 10-track recorder offers six analog inputs, two powerful auto mixers (Dugan and MixAssist™), records to SD and CompactFlash memory cards, and offers PowerSafe™ and QuickBoot technology.

    Input and Output Flexibility

    The 633 offers three high-bandwidth mic/line inputs on XLR connectors (3+3), complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs on TA3 (mini-XLR) connectors offer flexibility for more complex productions. All inputs are assignable to its six output buses, left/right plus Aux 1/2/3/4.

    10-Track Recording

    All six inputs plus output buses left/right and Aux 1/2 can be recorded to individual tracks. The 633 offers 10-track 24-bit, 48 kHz uncompressed WAV recording (96 kHz and 192 kHz sampling up to six tracks) to SD and CompactFlash memory cards. The two cards can be set independently, recording either identical material for a real-time backup, or combinations of WAV and timecode stamped MP3 files.

    Two Auto Mixers: The Choice is Yours

    The 633 offers two powerful, high-performing automatic mixing options, Dugan automixing and Sound Devices’ MixAssist™. The inclusion of these two well-known auto mixers makes it the go-to tool for more portable production applications with automixing for up to six audio channels. Dugan automixing is widely used in broadcast television applications, in dialogue recording for TV and motion picture production, and in house of worship (HOW) applications. It also is a good choice for teleconferencing, video trucks, and theater applications with multiple wireless microphones on stage. Dugan automixing takes over the nerve-wracking job of cueing mics in and out, freeing up the location recordist to pay more attention to the actual mix balance.

     

  • Sound Devices 664

    0 out of 5

    12-Input 664 Field Production Mixer With 16-Track Recorder

    The 664 was the first of the popular 6-Series mixer/recorders to be released. It has 12 analog inputs, four output buses, and records these 16 tracks to both CF and SD cards. This unprecedented amount of I/O connectivity and recording capability makes the 664 perfect for a wide range of production applications.

    12 Inputs

    The 664 has six ultra-low noise, high-dynamic-range mic/line inputs. These transformer-less preamps offer analog peak limiters, high-pass filters, input trim controls, and direct outputs. Input connectors 1 and 6 can be selected to accept AES42 or AES3 digital signals. Six line-level inputs, 7 through 12, are available by reassigning direct outputs as inputs from the Input Setup Menu. With an attached CL-6 Controller, inputs 7-12 have dedicated fader control.

    Output Flexibility

    In complex, multi-camera productions, output flexibility is essential. The 664 offers three sets of balanced left/right outputs. Two additional output buses, X1 and X2, appear on balanced TA3 connectors. XLR and multi-pin outputs are selectable to AES3 digital.

    Recording Capability

    The 664 can record all inputs and output buses, for 16 record tracks. Recordings are saved to CompactFlash and SD cards as either 16- or 24-bit Broadcast WAV files. Scene, take, track, notes, and time code metadata are recorded with the file. All popular production sampling rates are supported. MP3 recording is available for transcription applications.

    Ease-of-Use

    Clear, fast, easy to navigate controls and interface. Important controls are on dedicated knobs and switches, while additional features are quickly accessed through the intuitive LCD-based menu control.

     

  • Sound Devices 688

    0 out of 5

    12-Input Field Production Mixer with 16-Track Recorder & Automixing

    The 688 combines performance, reliability, and integrity of sound quality, to help production sound engineers thrive on even the most complex productions. With its multi-channel mixer, two powerful auto mixers (Dugan and MixAssist™), and integrated 16-track recorder, the 688 was designed with high-demand versatility in mind. Vertical meter displays, improved menus, and the ability to save custom configurations make live monitoring and on-the-fly adjustments simple and quick. Its portability, durability, and impressive feature set, make it capable of fitting into any production scenario, from bag to cart-based workflows.

    With 12 true inputs (6 mic inputs and 6 line inputs), the 688 offers more than enough fader control for bag work. Add the optional SL-6 integrated powering and wireless system, used with SuperSlot-compatible receivers, and the 688 gains complete Rx control and monitoring, plus RF scanning and frequency assignment, all from the 688’s larger color LCD.

    In a Bag

    The 688 has six high-bandwidth mic/line inputs on XLR connectors, each complete with phantom power, high-pass filter, analog input limiter and variable pan. Six additional line-level inputs on TA3 connectors offer flexibility for more complex productions.

    On a Cart

    Its eight assignable outputs (L/R, X1-X6) provide vast routing flexibility, allowing sound mixers to easily tailor their setup to the various configurations necessary while on location. Channel assignments are a breeze. Add the optional CL-12 linear fader controller, and the 688 becomes a very powerful, fully cohesive cart audio system with smooth-gliding faders, 3-band EQ, dedicated controls and LED metering.

  • Sound Devices MixPre-6

    0 out of 5

    The groundbreaking new MixPre-6 is a lightweight, high-resolution audio recorder with integrated USB audio streaming that offers world-class sound quality combined with extreme durability – perfect for musicians, sound designers, podcasters, videographers, YouTubers and field recordists.

    Sublime Audio Quality

    The MixPre-6 features Sound Devices’ new Kashmir™ microphone preamps. These high-performance, ultra-low-noise, discrete, Class-A mic preamps were hand-crafted by Sound Devices. The Kashmir mic preamps feature a -130dBV noise floor, analog limiters, and new 32-bit A-to-D converters to ensure the highest quality audio recordings that far surpass those of other recorders using simple off-the-shelf IC-based mic preamps.

    Powerful USB and Recording

    The versatile MixPre-6 makes an excellent USB audio interface, offering the unique ability to record audio to an SD card while simultaneously streaming multiple channels of audio via USB. Handy for interviews, podcasts, or simply as a backup recorder to your computer, the MixPre can be used for Skype or Facetime interviews, and to record audio for podcasts or video blogs.

    As a musician’s tool, the MixPre is indispensable. Whether it’s serving as a top-shelf USB interface with premium mic pres for use with a DAW, getting a quick song idea recorded without AC power handy, recording rehearsals or just adding a few more inputs to your PA system, the MixPre will become an invaluable part of a musician’s life.

    Ultra-Compact, Unintimidating Design

    The small stature and design of the MixPre-6 will fit any production environment. It features a responsive capacitive touch screen for incredibly simple and intuitive operation, and a bright, IPS technology, sunlight-readable color LCD for the ultimate in convenient navigation.

    Like all Sound Devices products, the MixPre-6 is extremely durable. Constructed with a die-cast aluminum chassis, it is both lightweight and incredibly robust. The MixPre-6 is super-compact – perfect for jobs on the run.

     

  • Sound Devices SL-6

    0 out of 5

    Powering and Wireless System for the 688 Mixer/Recorder

    The SL-6 accessory combined with the 688 offers easy integration of multiple channels of wireless connectivity, mixing, recording and power management in a lightweight and easy-to-use package. The SL-6 simplifies interconnection between the 688 and multiple channels of wireless by accepting three dual-channel slot-in receivers, providing a total of six separate audio feeds. Easily attaching to the 688’s top panel, the SL-6 offers all powering and audio interconnection for standard slot-in receivers and additional control and monitoring when used with SuperSlot™-compatible receivers. The SL-6 also distributes RF from external antennas to the receivers, creating a more efficient, compact configuration.

    Powering

    The SL-6 unifies powering options for the 688, wireless receivers, and peripherals devices. The SL-6 operates from a standard NP-1 (Lithium Ion or NiMH) rechargeable battery or from an external 10 to 18-Volt source via a 4-pin Hirose connector. There are two 12-Volt isolated, and two non-isolated outputs, each capable of delivering up to 0.5-Amp for powering other peripheral equipment. These power outputs are normally on, but may be switched off via a power selection menu. A 5-Volt USB charging port with a 2-Amp capacity is also included, making it easy to keep a smartphone, tablet, or other USB-powered devices charged.

    Key Features

    • Accepts three dual-channel slot-in wireless receivers for a total of six channels.
    • Compatible with existing slot-in and new SuperSlot wireless receivers.
    • Ability to set SuperSlot-compatible receiver frequency and power on/off from the 688.
    • Ability to monitor SuperSlot-compatible receiver battery, audio and RF levels from the 688.
    • Accepts analog or digital audio depending on wireless receiver.
    • Built-in antenna signal distribution
    • NP-1 battery slot for powering 688, receivers and external peripherals.
    • USB charging port.
    • Two 12V isolated outputs.
    • Two non-isolated direct battery outputs.
    • PowerSafe 10-second power reserve.
    • Easy to attach to the 688.

     

     

  • Zoom F4 Multitrack Recorder

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    Super-low-noise microphone preamps
    The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4’s mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs.

    TCXO Time Code
    For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—a first for this price point. The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig.

    Advanced onboard limiters
    Advanced onboard limiters provide overload protection which lets you capture audio in a wide range of dynamic sound environments. Limiting can be applied to all four channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.

    Rock-solid build and lightweight design
    A compact metal chassis makes the F4 both rugged and durable, and keeps its weight down to just 2.27 pounds without batteries.

  • Zoom F8 Multitrack Recorder

    0 out of 5

    Mic pre’s
    Outfitted with our finest mic preamps to date, the F8 features an extremely low noise floor (−127 dBu EIN) and high gain (up to 75 dB), with +4 dB line inputs.

    High-resolution audio and advanced limiters
    The F8 can record at 24-bit/192 kHz resolution and is equipped with onboard limiters designed to provide overload protection. Limiting can be applied to all 8 channels simultaneously at full resolution, with 10dB of headroom and controls for setting threshold, attack, and release.

    Time code with pinpoint accuracy
    The F8’s time code is state-of-the-art. It utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy, enabling rock-solid syncing of audio and video.
    The F8 supports all standard dropframe and non-drop formats, and can jam sync to time code being provided by external devices. An input and output are provided on standard BNC connectors, enabling easy integration into any rig.
    Weight and build
    The F8 is not only versatile and feature rich, it is the smallest field recorder with eight XLR combo inputs ever made. Weighing just 2.1 pounds (without batteries), its aluminum chassis is both rugged and durable.

     

  • Zoom H6 Handy Recorder

    0 out of 5

    PRODUCT HIGHLIGHTS

    • Modular Mic and Input System
    • Includes XY Microphone Module
    • Includes Mid-Side Microphone Module
    • Four XLR/TRS Inputs
    • Record up to 6 Simultaneous Channels
    • Record up to 24-bit/96kHz Audio
    • Doubles as USB Audio Interface
    • Uses SDXC Memory Cards
    • Optional Shotgun Mic and XLR/TRS Inputs
    • Optional Hot Shoe Mount